Sam and the Stylees at Exit 6C
222 E. FIRST ST., 918-794-7890
This relative newcomer may draw a fairly fratty contingent, but it also brings in off-the-beaten-path shows. Specializing in local bands, Exit 6C features
everything from Randy Crouch’s folk country to Adam Lopez’s reggae blues to
wacky Tulsa alt-pop trio Ghosts, offering several local bands each week.
Ballroom, but these days works
with festivals such as last year’s 33rd Freaker’s Ball, which boasted five stages, 30 local bands, and a
tawdry costume party.
1747 S. BOSTON AVE.
On a hoppin’ corner along the
southern outskirts of downtown,
the Mercury is an old service station converted into a $5-beer-and-shot bar
with a hell of a men’s room and
a Social Distortion–heavy jukebox.
Cover bands need not apply.
Founded by Tulsa natives Angie DeVore and her husband, Tom Green (no, not that Tom Green),
Dfest began life seven years ago as a 12-band bar show—the July 2007 version drew 40,000
attendees. The city’s answer to
Austin, Texas’ South by Southwest
or New York’s CMJ offers panels for
aspiring musicians, not to mention
enough up-and-coming indie
rockers to exhaust even the most
ADD-afflicted clubgoers among us.
They’re older, less famous, and
less towheadedly adorable than they were during their 1997
“MMMBop” heyday, but Tulsa natives Hanson have carved out
unlikely roles as talent shepherds,
hosting an annual five-day
songwriters’ workshop that’s been
attended by the likes of Jason
Mraz, Eisley, Fountains of Wayne’s
Adam Schlesinger, Locksley, and
rising MySpace singer/songwriter
Kate Voegele.
421 E. FIRST ST., 918-592-7844
The Continental started out as
a quiet jazz bar catering to an
older crowd but recently began
booking bands that tend to rock a
bit. The result is a classy, clean, and
bright venue with a beautiful white-
topped bar where patrons can
also take in blues, salsa, and folk
without yelling over the band.
And despite its (relative) class,
you don’t have to dress up for a
nice night out on the town.
423 N. MAIN ST., 918-584-2306
No venue in Tulsa surpasses the
ambience and history of Cain’s. Bob Wills first played here in 1935, and the Sex Pistols performed in 1978 on
their only American tour. (Sid Vicious
punched a hole in a wall that has since
been cut out, framed, and hung in the office.) In 2002, Dr. Jim Rodgers
bought the ballroom and sank a
million bucks into its restoration.
409 N. MAIN ST., 918-582-7669
An alternative to the local sports
bar/meat market, this place just down
the block from Cain’s boasts bicycles
hanging from rafters, brownish-yellow
walls, and an extensive beer selection.
Local and regional indie artists
perform almost every night, and
there’s never a cover; the bands drink
free and still manage to get paid.
Davit Souders has been promoting local music for more than 20
years, most recently on his i Tunes
podcast (“Hometown Heroes Tulsa”), his KRSC 91. 3 FM show,
and irokradio.com. Souders made
his name booking concerts for
the clubs Standing Room Only
and the Ikon, which he ran from 1990 to 1997. Souders also books
shows at revered honky-tonk Cain’s
What do Eric Clapton,
Neil Young, George
Strait, and Emmylou
Harris have in common with Rufus Wainwright?
They’ve all sung about
this city. On “Tulsa,” from 2007’s Release
the Stars, Wainwright
coos about meeting
Brandon Flowers at
Caz’s, a downtown bar.
Garrett Weindorf of
Ghosts claims he is the
“fat guy in a green shirt”
mentioned in the song.
COHEN/RE TNA; COURTES Y DFES T
CLOCK WISE FROM TOP: FLICKR.COM/PHO TOS/ COD YRAYMULCAH Y; GARY MILLER/FILMMAGIC; ROBB D.
References:
http://www.mercury-lounge.com/
http://www.myspace.com/continentaltulsa
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=41249246
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