EDITOR’S LETTER
[ 1] Danny Fujikawa of Chief
[ 2] Ryan Harris,
guitarist for Matt Toka
One of these
things is not like
the others.
[ 3] Satisfaction
Finding My Religion
SPIN & Original Penguin
Open Mic Series
FOUR YEARS AGO, in a decidedly lukewarm
review of the R.E.M. album Around the Sun
NYC, Dallas, Newport, LA, and Miami
November 2007–
January 2008
for another publication, I mused: “Michael
Stipe and Co. finally reveal they have no
interest in playing ‘rock’ anymore.” After
The six-week-long series held in Original Penguin
stores in New York City, Miami, Newport Beach,
hearing the combustible Accelerate, their 14th
studio endeavor, I’m thrilled to have to eat my
Dallas, and Los Angeles proved to be
words. Count me among the longtime fans who
the perfect stage for emerging local musicians
to perform acoustic sets for fans, friends,
shoppers, and curious bystanders.
WHO
Soft, Chief, the Walkup, Band of Thieves (N YC);
Matt Toka, the Airlines, Moving Picture Show
ANDRE W SIMKISS [ 1& 7]; HOLLY KIESZ [ 2 & 5]; KERR Y BULL [ 3]; ELLEN RONES [ 4]; AUBIN VIEGER [ 6]; ERNES TO ESPINOSA [ 8]
(LA); Venus Infers, Another Day Late, Satisfaction
(Newport); Chris August, Cabrio, Taylor Vieger,
the Standard Issue (Dallas); Modernage, Robots
& Butterflies, Montgomery Drive (Miami)
[ 8] The Airlines
sorta tuned out over the last decade, preferring
to remember their vibrant early days over the
dreary recent past.
I first saw R. E.M. perform live—spectacu-
larly—in 1983, at Queens College’s tiny
student union. R.E.M. were, at the time,
perhaps the leading purveyors of what was
then called college rock, and their influence
was just beginning to be felt nationwide. It was
an era wonderfully documented in the 2001
book Our Band Could Be Your Life, whose author,
[ 4] Montgomery Drive
Michael Azerrad, wrote this month’s cover story.
As Azerrad suggests, to reinvigorate
[ 5] Matt Toka
themselves, R.E.M. headed back to the
proverbial basement. And they did just that
That’s them on
at our cover shoot: A lucky few of us were
the cover (from
treated to a short jam session in the bowels
top): October
’ 86, March ’ 91,
of Chelsea’s Milk Studios, where Stipe, Mike
and August ’ 95
Mills, and guitarist Peter Buck played a bit of
the Dead Kennedys’ “Holiday in Cambodia,”
as well as lively versions of the Modern Lovers’
[ 7] Chief
“Roadrunner” and Beat Happening’s “Indian
Summer.” An extraordinary moment, and
we’re proud to present visual evidence of it
within our pages. Enjoy.
PHO TOGRAPH Y B Y:
Doug Brod
Editor